St. Louis Post-Dispatch from St. Louis, Missouri • Page 105

At the Movies Classica KIEL AUDITORIUM WEEK ONLY! MON. SEPT. 24 thru SAT. SEPT. 29 (Evei.

8:30) MAT. WED SEPT. 24. AT 2 MAT. SEPT.

21, AT 2:30 KIEL OX 0P7IC OPEN DAILT 10 fo Too Ilifi For Any Itcgular Static! AN 'ff' rA ft Broadway' Biggest, 1 Most Spectacular 1 i i inv rt ii i ii i 1 1 1 in i 1H 7 Nsw York and Chicago Critics Acclaim Melvyn Douglas In One Unanimous Rave! Stage Event Extraordinary lVfi: i 'to. kins .1 X- ARTISTS WHO WILL APPEAR THIS SYMPHONY ORCHESTRA INCLUDE. 7 jT JEROME LAWRENCE i ROBERT E. LEE PETER LARKIN Stttingi DlrtetiJ by HERMAN SHUMIIM JAMES WESTERFIELD UkeTMtr WILLIAM WOODSON CA5T OF 65 PIATIGORSKY AND PIANIST ARTUR RUBINSTEIN. VLADIMIR GOLSCHMANN, THE ORCHESTRA'S REGULAR CONDUCTOR, IS IN TOP INSET.

AT BOTTOM, FROM LEFT ARE: SOPRANO HELEN GEORGE, VIOLINIST NATHAN MILSTEIN, SOPRANO PHYLLIS CURTIN. PIANIST RUDOLF SERKIN, BARITONE EDWIN STEFFE, AND TENOR JOHN McCOLLUM. SEASON WITH THE ST. LOUIS LEFT. VIOLINCELLIST GREGOR Fimimmmimmfa and JOHN RANDOLPH VIOLA ARTHUR fETERSON A Artists uiinttn samw nan i nova auu may be as much canvas spread i foot of main street, the Ken- old warehouse that once held Labor day visitors to the i riDCT TIME at TUFtr DRLTFt MA11F PtlSSIRLE I (I I) I I I I I I III IlkWk llinVM ONLY BY THE GREATER OPERA HOUSE CAPACITY Nantucket Art Colony Finds Color, Tourists By William K.

Wyant Jr. NANTUCKET, Mass. THIS Island 38 miles at sea Is an excellent place to study Amarin.n r4lt. NiqliH: Orch. 3.T2: Men.

ond Boits 1.3i; Lewtr Sole. J.BOi Upptr laic. 2.24-1 W.d. Mot. Orch.

IM, Mm. 2.10; lower lalcony 2.24 Upper Balcoay 1 Sot. Mo. Orch. 3.31 Mea.

loi.i 2.10; Lower Bolcwv 2 24; Upper Bolt. 1.41-1.12. WED. MATINEE $1.12 TO $2.80 TAX INCLUDED Send Mail Orders to Kit! Audirorium, Uth Morlef, St. Levis 3 Encloie remittance and oddrened itomped envelope for ticket retura Local Auspices: American Theatre Management 3 luc luiift oiaimiiiK ixjuii.j I the wharves, rocks and fishing vessels of the New England shore.

On a clear day there I on Nantucket easels as on sailing craft in the harbor. I The North Atlantic fishing villages and resort towns have a double attraction for artists In summer. They are full of 4 I color and contrasts, for one thing, and for another, they are 1 I full of tourists in many cases, are the kind of people A ieadintf Ttoatre of Sf.Loufj" American ifw GRAND it OLIVt Telephone Olive 2-4444 en artistic Japan first j.j wno Duy paintings. I Nantucket Island's art colony is not so numerous as that 1 of nearby Cope Cod. The scenery here is not so rugged as 1 that of Maine, but the island has a soft loveliness of its own wiui a iuaiiiij ugni.

muiu ui uic tuaiiu ui i nineteenth century America remains intact, and all about the I town itself are mementoes of the great days when Nantucket was the world whaling center. I On Stralaht Wharf at the neth Taylor Galleries occupy 3 stores for deep sea commerce. OPERA COMPANY I massive frame building saw an exhibit of paintings in which I thi artist hart ripvntpri thpmsplvpx In a set theme, the Monrs Wpiieiilif mmjI KnttirAn I of Nantucket. I I I I A FEW OF THE CANVASSES were in the current ab-1 Puccini's MADAME BUTTERFLY Thundoy and Frldoy alqhtt Gilbert and Sullivan's THE MIKADO American Theatre, 111 North Grand, St. Lonit I.

Indole remittance ond addressed itomped envelope tor ticket mailina. NIGHTS: Orchettra, S3.2; Mesanino and Loaes, S3. 34; lalcony, $2 80, S2.24, SI. 43. MATINEE; Orchestra, Men.

I Loaet, S2.80; laic, S2.24, SI. 41. IOX OFFICI OPENS MONDAY, SEPT. 17 m. LOUIS SYMPHONY ORCHESTRAL! VLADIMIR GOLSCHMANN HARRY FARBMAN, Assistant Conductor By Edward Kosmah THE BAD SEED Parallels rather faithfully the spinc-chil'ing Broadway hit, except for the new endinr, changed to abide bv the Production Code, which takes on an anemic appearance.

Outstanding performances by tne cast, many of whom created the itage roles, spearheaded by award-winning Nancy Kelly, as the distraught mother, and pigtailed Patty McCormack. as the angelic 8-year-old hom-' Icidal monster. ST. LOUIS. SIMON AND LAURA Mildly amusing British satire of the island's television industry.

Kay Kendall and Peter Finch portray an "ideal" married couple who spat and fume off screen and kiss and make up on a TV soap opera. Miss Kendall's radiance is the brightest spot of the production. SHADY OAK. LISBON Even the talents of Ray Milland, Claude Rains and Maureen O'Hara can't do much to enhance this story of international crime and intrigue. Sultry women galore, with Milland the primary tar-get Leading the pack is newcomer Yvonne Furneaux, surrounded by an exquisite picture of colorful Lisbon.

FOX. THE BOSS Thinly disguised story of Tom Pendergast and his infamous Kansas City political machine, with some fiction tossed in. Portraying Pendergast, but using another name is John Payne, whose props Include a derby and fat cigars. Not quite enough, unfortunately to turn a Payne Into a Pendergast, but the film does highlight the evils inherent in boss rule. LOEW'S ORPHEUM.

RIFIFI Excellent French film centered around an amazing jewel robbery with not a single word spoken during the 30 minutes required to film the crime. English subtitle. PAGEANT and RICHMOND. THE EDDY DUCHIN STORY Pathos and poignancy are wrung from the sad story of Eddy Duchin, romantic figure in popular music. Tyrone Power is fine as the pianist, and so is Kim Novak as his first wife, a society girl.

LOEW'S STATE. SEVEN WONDERS OF THE I WORLD The third Cinerama production is a hackneyed and unimaginative travelogue. 1 AMBASSADOR. I Elaine Stewart Gets Silver Look HOLLYWOOD, Sept. 8 AP).

ELAINE STEWART is going to restore some glamour to Hollywood, even if she has to get silverplated to do it. You'll remember Elaine as the red-haired beauty who vamped Kirk Douglas in "The Bad and the Beautiful." After a few more film roles, she languished at M-G-M for almost two years. In her last year under contract, she didn't even visit the studio. She did no work at all, though she was being paid "more than a United States Senator." So she pulled the paper doll caper. With the guidance of a hotshot press agent, she hired an ad in one trade paper displaying her admirable figure.

In another trade paper was printed a dress, with the invitation to cut it out and apply to the Stewart figure. The stunt plus other persuasions managed to get the gal out of the stir. She landed at Universal-International with a two-picture-a-year deal starting with "The Tattered Dress." "Oh, it felt so good to be out!" she explained. "I just felt wonderful, si I decided I'd like a whole new chance." So what did she do?" Change her agent? Her boyfriend? Her telephone number? No her hair! Gone are the auburn tresses. She is now a quicksilver blond.

"I feel wonderful like a whole new person," she said. "It's amazing what a new color of hair can do for you. Now I'm adjusting my whole life to a new motif silver." Presley's Film Debut HOLLYWOOD, Sept. 8 It's a far cry, even as movie titles go, from "The Reno Brothers" to "Love Me Tender," but that is what Twentieth Century-Fox has now decided to call the action picture in which Elvis Presley is making his movie debut. He will sing a ballad in the picture titlad "Love Me Tender." Fox will rush the film, now before the camera, through the editing and other post-photography stages so that it will be ready for release Nov.

1. Presley is hot" now and Fox wants to ride the crest of his popularity. 'Why Was I HOLLYWOOD, Sept. 8 Stephen Longstreet, novelist and playwright, is writing a new screen play for Warner's projected biography of Helen Morgan, "Why Was I Born?" SHOWBOAT GOLDEN ROD PRESENTS 'THE DRUNKARD' 30 P.M. Nlgktlv Foot Loc.it St.

Organisation Rotes GA. 1-8675 ROBERT TOWNSEND preterits JOHN GAZZOLI I Years Old in i piano rrrital tliin afternoon at 4 8151 Delmar CITY ART MUSEUM Forest Park lecture "18TH CENTURY AMERICA" by Jean Milllgon Tomorrow tt p.m. Viiit rte Museum Resteuren Records A Russian Trio By Thomas B. Sherman THE Russian pianist Emil Gilelt and his lesser known compatriot Mstilav Rostro-proviteh. a cellist, have been favorably received In the United States, and I am sure that the Russian violinist Leonide Kogan 'ill fare equally as well If he chooses to.

make an American tour. Meanwhile the three art-fcta may be heard as a team in recorded performance of Trio No. 30 in Major. (Westminster, one 12 inch 4.P.) The members of this en-ff nabls are pei-fectly geared to one another. They play with faultless precision and, particularly in the fast movements, they project the music as if they were blowing bubbles.

In the somber but deeply romantic Brahms Trio in Flat for piano, violin and horn which Is recorded on the other side Gilels and Kogan are joined by Yakov Shapiro, a horn player, who does not share their qualities as a performer. His quavering tone makes the two slow movements just a little too plaintive. But it must be said that the ensemble as a whole cioes convey the gravity (and hence the dignity) as well as the rich feeling of the two affecting slow movements. The scherzo and the finale are han died with the same crispness as In the Haydn trio. Kogan's love ly tone comes out particularly veil in the Brahms Trio.

CONCERTO: Helen and Karl JJlrich Schnabel are the fca tured artists in a new recording of Mozart's Concerto No. 10 in Flat for Two Pianos and Or chestra. They are accompanied by the Vienna bymphony Orchestra under Bernhard Paum-garner, a reliable if not inspired conductor. Phrasing and inner stresses have been carefully worked out In this performance but without interfering with the music's natural grace and fluency. What does affect the basic heart-beat of the music to some extent is the frequent and sudden acceleration of tempo.

To me this seems wholly arbitrary. The Schnabels are joined by Use von Alpcn in playing the felicitous but rather light Concerto No. 7 in Major for Three PJanos and Orchestra. The tone quality of the piano parts in both concerti is quite good. (Epic, One 12-lnch LP.) Robert Casadcsus, playing With the New York Philharmonic-Symphony Orchestra under Dimitri Mitropoulos, combines an impressive breadth of feeling with a clear and well timed exposition of critical detail in his new recording of Beethoven's "Emperor" Concerto.

He gets plenty of support from the orchestra in presenting the bold and muscular aspects of the music but the orchestra is somewhat lacking in delicacy in the purely lyrical slow movement. Casadesus is reticent enough when articulating the subordinate pianistic figurations at the close of this movement but they are still too obtrusive because the orchestral part is not made sufficient ly interesting. But this is a problem that nobody ever solves quite satisfactorily in playing this concerto. Reproduction is excellent. (Columbia, one 12-inch LP.) Five Concerti Cross! by Giuseppe Torclli are played with an affecting ardor and stylistic finish by I one of the several Italian string ensembles which has caught the attention of an International audience since the close of the war.

The soloists are Roberto Michclucci, first violin; Anna Maria Cotagnl, second violin, and Mario Centurione, cello. Torelli, who overlapped the seventeenth and citihteenth centuries is credited with being an important Influence in developing the concerto form toward the point where a single instrument was contrasted with an orchestra. Certainly the formal organization of these concerti provide a strong framework for his engaging play of melody. (Epic, One 12-inch LP.) VOCAL: "Bjoerling Sings at Carnegie Hall" as the title indicatesis a recording of a concert given by Jussi Bjoerling, the great Swedish tenor, in New York. The recital is equally divided between art songs by Schubert, Strauss and Brahms and operatic excerpts including "11 Mio Teosoro" from Mozart's "Don Giovanni," the Flower Song from "Carmen" and "La Reve" from Massenet's "Marion." Bjoerling's voice seems as fresh and as pliant as ever.

He is at his best, however, in the operatic numbers. (RCA-Victor, One 12-inch LP.) OPERA: Prokofiev's "The Love for Three Oranges" is given an effective performance by soloists, choir and orchestra of the Slovenian National Opera dituated at Ljubljana. None of the singers in the cast are known in this country but they attack their roles with animation: and much of the playing of the orchestra is alro highly meritorious. Even go this is obviously an opera which loses much from not being seen, for the deft and imaginative vocal limes and orchestration are closely tied in with the action and the action is both fanciful and realistic in the style of early Italian comedy. The reproduction is excellent.

(Epic, Three 12-inch LPs in album with synopsis.) BEST SELLERS: Lalo's Symphonic Espagnole and the Bruch Minor Violin Corcerto played by Isaac Stern and the Philadelphia Orchestra, Eugene Or-mandy conducting. (Columbia, One 12-inch LIM; Schumann's Fourth Symphony, played by ti-e Detroit Orchestra, Paul Pa-ray conducing. (Mercury, One J2-inch LP,) ensafional ymphonic eason I stract expressionist manner, employing blocks of color with-1 out attempt at perspective. For the most part, however, the paintings were representational in treatment, their moors, hills, trees and water being recognizable as such. The ab-1 stract efforts got a fairly warm reception.

They afford wel-1 come relief from the multiplicity of pictures that all seemed to be trying to show the same subject In the same conven-1 tional way. I Hard by the Kenneth Taylor Galleries on Straight Wharf is a tiny, rough-hewn building of nautical origin where a I succession of painters have given one-man shows this sum-1 I mer. It is interesting to hang around these shows and watch jj Is the stream of casual visitors go in and out. I Like as not, the artist lounges within the gallery, a young man dressed in torn khaki shorts and T-shirt. He may look a bit dejected and forlorn.

He is exposing his inner soul, so i to speak, and some of the summer trippers, clad in shorts or I bathing suits, gaze at his works without reverence. I "I just don't get it," is a comment all too often overheard as six months' toil is scanned in two minutes flat. Whereupon I the sunburned pair of critics march out and make for Cap'n 1 Tobey's Chowder Bar, just down the street. 1 BUT WHATEVER his tribulations at the hands of itiner-l ant Philistines, the artist Nantucket makes a fine summer i I of it for the most part. He has cordage and old fishing boats to paint, and the sea in all its moods he can find misty ij landscapes on the moors, and the turbulent breakers rolling In on a lonely gray beach.

The Island abounds in well-heeled potential buyers of art. Their taste is not always sophisticated. Some of them agree with former President Truman's views on avant garde paint-) I ing, even though they agree with him on nothing else. The point is that they are very sound customers, from the Dun I and Bradstreet viewpoint. If he is triply fortunate, the artist on Nantucket may discover also the gastronic satisfactions of a real New England Beach picnic clam chowder, steamed clams, lobsters plucked 1 FRAYNI SUSAN IROWN PERRY FISKI 5 Performances Sept.

24, thm Sept. 71, Nlahtly at 1:30. Matinee tat. rday Only, Sept. 2f et 2:30.

masterpiece direct from nationwide tour of the. ktMSti mmd KmlurdttV iMaPRMB WerlJ.Famau ST. LOUIS Opens October 19 with if if i nuiiamq, central 1-2137, PS1 Orient's Top Singing Stars Gorgeous Costumes Beautilul Decor Gala 77th Seaion of SYMPHONY ORCHESTRA Most BrJJant Array of Artists in History. SENSATIONAL GUEST CONDUCTORS JASCHA HORENSTEIN EDWIN McARTHUR GEORG SOLTI IGOR MARKEVITCH FERNANDO PREVITALI SENSATIONAL SOLOISTS AUTUR RUBINSTEIN ROBERT CASADESUS NATHAN HtLSTEiN RUDOLF SERKIN ISAAC STERN GREGOR PIATIGORSKY GLENN GOULD GEZA AROA HENRI DEERIRG BERL SEItOFSKT GART GRAFFMAN LESLIE PARNAS Plus Concert Verilon of Moiorff "DON GIOVANNI," wltk KENNETH SMITH, JOHN McCOLLUM. MAC MORGAN, EDWIN STEFFI.

LOIS MARSHALL, PHYLLIS CURTIN, end HELEN GEORGE. SENSATIONAL MONEY SAVINGS Stolon TicLets for Thif Great Serltt of Thrllllna. Mmltal Attraction! Now for Limited Time Only at Savinqs of At Much At 40 Over Sinqlo Admission Prices Order Your Choice Seats Now 10 or 20 Concerts under Six Different Plans Write or Phone to ST, LOUIS Ice Follies Returning Here; To Open Oct. 9 THE twentieth anniversary edition of Shipstad and Johnson Ice Follies will return to St. Louis after a 14-year absence to play a six-day, eight-performance engagement at the Arena starting Tuesday, Oct.

9. Formed In 1 1936 by its present owners and directors, Eddie and' Roy Shipstad and Oscar Johnson, the show was the nation's original ice extravaganza. The Ice Follies played Its first one-night engagement in St. Louis in 1936 at the Arena, continuing the annual performances here until 1942. This year's Follies, with more than 100 skating champions from all over the world participating, will include 20 production sequences.

Among feminine stars with the show Is Andra McLaughlin, who has appeared here numerous times. Others include Frances Dorsey, Florence Rae, Janet Champion, Carol Caverly, Ginger Clayton and Patti Hall. Heading the list of male stars Is 21-ycar-old Richard Dwyer, who has performed in more than 2500 Follies presentations with his top hat and tails solo, "The Young Dcbonaire." Included in the cast of 167 are the Ice Follicttes, a group of six dozen feminine skaters. The Follies will continue through Sunday, Oct. 14, with performances at 8:30 o'clock nightly except Sunday, when the show will be presented at 6:30 p.m.

In addition there will be two children matinees Saturday and Sunday starting at 2 p.m. Melvyn Douglas To Star Here THE new legitimate stage season will begin in St, Louis Sept. 24 with "Ir.herit the Wind," starring Melvyn DouglaR. The Herman Shum-lin production with 65 persons will bo presented six evenings, in addition to Wednesday and Saturday matinees, at the Kiel Auditorium Opera House. Since the production is one of the largest plays to go on tour in recent years, the booking had to be changed from the American Theater, where it was originally scheduled, to the bigger stage of the Opera House.

"Inherit the Wind," written by Jerome Lawrence and Robert Lee, is a fictionalization of the famous Scopes "monkey trial" of 1925. Melvyn Douglas plays the role patterned after Clarence Darrow, and the counterpart of William Jennings Bryan is portrayed by James Westerfield. Tea and Tryouts At Kirkwood Guild The Kirkwood Theater Guild will launch its twenty-sixth season with the annual membership tea tonight from 6 to 8 o'clock at Grace Parish House: Following the tea, tryouts will be held for "The Solid Gold Cadillac," the group's first play of the season which has roles for 12 men and six women. Mrs. Wray Shullz, chairman of tonight's affair, will have four table captains to assist her: Mrs.

L. Gordon Davis, Mrs. Richard Piatt, Mrs. Michael Gibbons and Mrs. Wilson Weisert.

"Solid Gold Cadillac" will be presented four evenings, beginning Oct. 24. Jack Bcrilla, 641 Lewlston drive, Kirkwood, and Guild president and Mrs. Jack Bow-den, vice president and chairman of the membership campaign. i 4 ARE THE HAPPY FACES OF APPEARS IN I lj 1 from boiling sea water and eaten, split up the middle, with I plenty of melted butter.

I owwcit, iio Arcaae si i CHOICE SEATS NOW Symphony Season to Open Oct. 1 9 FIVE Internationally known guests will share the podium with Vladimir Golschmann, regular conductor of the St. Louis Symphony Orchestra, and Harry Farbman, assistant conductor, in the orchestra's seventy seventh season, which opens Oct. 19 in the Kiel Auditorium Opera House. The five guest conductors are Jascha Horenstein, Edwin McArthur, Georg Solti, Igor Markevitch and Fernando Previtali.

In addition four soloists who have never appeared with the St, Louis Symphony will be featured during the season, along with eight returning artists. Another feature of the season will be the presentation of a concert version of Mozart's opera, "Don Giovanni." Soloists who will be making their initial appearance here are pianists Geza Anda, Glenn Gould and Gary Graffman and violinist Berl Senofsky. Returning soloists are pianists Ar-tur Rubinstein, Rudolf Serkin, Robert Casadesus and Henri Deerine: violinists Nathan Mil- stein and Isaac Stern and violincellists Gregor Piatigor-sky and Leslie Parnas. VOCALISTS in the concert presentation of "Don Giovanni" will be sopranos Phyllis Curtin, Helen George and Lois Marshall; tenor John McCollum, baritones Mac Morgan and Edwin Steffe, and bass baritone Kenneth Smith. The opera will be presented with costumes and modified stage action.

Horenstein, who has been director of the Little Symphony summer concerts here the last two years, was conductor of the Berlin Symphony Orchestra and Philharmonic Chorus from 1925 through 1928 and conductor of the Dusseldorf Opera from 1929 through 1933. McArthur, who has completed his twelfth season as musical director of the St, Louis Municipal Opera, is also conductor of the Harrisburg (Pa.) Symphony Orchestra. SOLTI, the young Hungarian-born conductor of the Frankfurt Opera and Symphony Orchestra in Germany, made his debut here last season. Markevitch, well known as a composer and conductor, made his first American appearance with the Boston Symphony Orchestra two years ago but has not directed the St. Louis orchestra.

Previtali, who also will make his debut here, is conductor of the Santa Cecilia Orchestra in Rome. Also a composer, Previtali has conducted at the La Scala in Milan, ns well as in Paris, Brussels. Vienna, London and other European cities. The St. Louis Symphony season will include 20 pairs of subscription concerts, through March 23, as well as the usual student concerts, pop and special concerts.

The subscription programs will be given every Saturday evening and on alternate Friday and Sunday afternoons. Season tickets at reduced rates, now on sale at the St. Louis Symphony Society offices, Room 1176 in the Arcade building, may be purchased on one of six plans, for either 10 of 20 concerts. et regular box office prices tor fnese BIG ST AOS HITS coming soon MELVYN DOUGLAS 1. "INHERIT THE WIND" BOBBY CLARK i.

"DAMN YANKEES" ALFRED LUNT and LYNN FONTANNE "THE GREAT SEBASTIANS" JULIE HARRIS "THE LARK" "FANNY" "THE MATCHMAKER" "CAT ON A HOT TIN ROOF" Constance Bennett, Tod Andrews, Frank McHugh end Robert Strauss in "THE BEST OF STEINBECK," Joan Bennett in "JANUS," Judith Anderson and Gladys Cooper in "THE CHALK GARDEN," Vivian Blaine in "A HATFUL OF RAIN," "WITNESS FOR THE PROSECUTION," "THE BOY FRIEND," Edward G. Robinson In "THE MIDDLE OF THE NIGHT," "WILL SUCCESS SPOIL ROCK HUNTER?" "NO TIME FOR SERGEANTS" end Many Others." Popular Pay-as-You-Go Plan Available For Full Information Write er Call PLAYGOERS of ST. LOUIS. Inc. 311 North Grand Telephone, OLive 2-7928 PL k- I X- i I i t-Ik.

jaSI HERE IS AN EXAMPLE OF SIMILARITY BETWEEN MAIN CHARACTERS IN THE FAMED "MONKEY TRIAL" AND "INHERIT THE WIND." CLARENCE DARROW, TOP LEFT, IS SHOWN WITH WILLIAM JENNINGS BRYAN. IN THE BOTTOM PHOTOGRAPH ARE THE COUNTERPARTS, MELVYN DOUGLAS, LEFT, AND JAMES WESTERFIELD. AS THEY APPEAR IN THE BROADWAY HIT WHICH WILL OPEN AT THE KIEL AUDITORIUM OPERA HOUSE, MONDAY, SEPT. 24. THE PLAY WILL BE PRESENTED HERE SIX EVENINGS, IN ADDITION TO WEDNESDAY AND SATURDAY MATINEES.

B9 9 AU NCW SHOW fVSHY THURiOAY Sophisticate) SONIA with FLIP SAUNDERS fiffiKKV NO PERFORMANCES WEDNESDAYS OPEN NOW thru SUNDAY, SEPT. 16 ItAIXIKOOM TONIGHT GENE HOYER And His Orchestra KM. ll.nilVH I KIDDIE-LAND RIDES GAMES ith rr'n ttit 11 uttp RING CROSBY, GRACE KELLY AND FRANK SINATRA. THE TRIO "HIGH SOCIETY," NEXT AT LOEW'S STATE. SUNDAY MORNING, SEPTEMBER 9, 1956 4-J "en".